长沙U币平台收款|【唯一TG:@heimifeng8】|飞机盗号软件API破解技术✨谷歌搜索留痕排名,史上最强SEO技术,20年谷歌SEO经验大佬✨Avon boosts its digital media with virtual Content Studio

Avon boosts its digital media with virtual Content StudioBy

Gabriella Lacombe Published
February 25,长沙U币平台收款 2025

Avon Products is strengthening its digital domain, appointing S4Capital's global creative production company MediaMonks to support its new Content Studio. 


The Content Studio will launch in the UK, Brazil, Mexico and Russia in March
The Content Studio will launch in the UK, Brazil, Mexico and Russia in March - Instagram @avoninsider


The virtual tool will be used to develop and distribute high-quality brand and product content at scale, including videos, gifs and gamified content as well as "new and innovative formats," in order to boost Avon's growing online sales. In a press statement, the company said the tool is expected to cultivate up to 12,000 assets annually in Avon's 50+ worldwide markets, all of which will be tailored to meet the needs of local consumers. 

"MediaMonks will provide an ongoing stream of relevant content, delivered at scale – multi-language, multi-platform – and deployed weekly," Avon explained in a statement. "The studio will integrate data and analytics, inform the development and deployment of consumer-relevant content and optimize performance."

The beauty company further said that it had chosen to partner with MediaMonks "based on their ability to create high volumes of culturally relevant work," and, following the production company's merger with S4Capital, its capability to consolidate its data, media, and creative production capabilities. 

As the company continues its "Open Up Avon" strategy and digital refresh, the new digital tool is set to drive progress through its "always-on" distribution, allowing Avon to leverage its digital channels to communicate with millions of representatives and customers. 

MediaMonks will launch the Content Studio in the UK, Brazil, Mexico and Russia this March. 

Travel
Previous:中国马术巡回赛上的“女胜男”与“父代子”
next:Review of 'Atavists' by Lydia Millet : NPR